Carlos Castaneda. ✓ Download The Art of Dreaming [PDF] by. Carlos Castaneda . Title: The Art of Dreaming. Author: Carlos Castaneda. Synopsis: 1 / 3. Carlos Castaneda books Don Juan Carlos Castaneda Compilation They called this set of practices the art of dreaming. It's the gateway to infinity. Through. The Art of Dreaming is a book by the anthropologist Carlos Castaneda. It details events Print/export. Create a book · Download as PDF · Printable version.
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THE ART OF DREAMING. By Carlos Castaneda. [Version - Originally scanned, proofed and released by BELTWAY ]. [If you correct any errors, please. pflegeelternnetz.info%20The%20Art%20Of% pflegeelternnetz.info Carlos Castaneda - The Art of Dreaming - Download as PDF File .pdf), Text File .txt) or read online.
He assured me that this method was very much like the one used to teach us to perceive the world of daily affairs. This new capacity of looking in glances at the items of my dreams was coupled with a most insistent nagging to remind myself to look at the elements of my dreams. In that intent one must encode the message "I don't fear you. It gently separated from me and disappeared. I stared at them openmouthed. I had not believed those farfetched stories. Hidden categories:
It isn't that difficult to see. At first. Our link is with the spirit itself and only incidentally with the man who brings us its message. In the beginning stages of my thirteen-year apprenticeship with him. This affiliating meant that I had to learn to trust him implicitly and accept him without bias as the nagual.
The difficulty is in breaking the retaining wall we all have in our minds that holds us in place. Seers believe that when one of these people enters into the sorcerers' world. By contrast. The problem of validation always played a key role in my mind in those days.
The trick is in abandoning our fort of self-complacency and false security. But they didn't say it from the standpoint of self-importance. It isn't just a matter of having energy. I know this and I say so. Once we have energy. Don Juan's total role in the sorcerers' world was synthesized in the title accorded to him by his peers. To break it. And I reiterated my profound disagreement.
I told him that being reared in a stifling religious environment had had dreadful effects on me. To say there is no path without the nagual is to refer totally to the fact that the man. When I discussed it with him. The human domain is the energy filaments that pass through the entire luminous ball. It was explained to me that this concept refers to any person.
The hard part is convincing yourself that it can be done. And so did all the naguals who preceded me. If the assemblage point keeps on moving. Instead of a ball or an egg. They certainly looked like men.
It is really something you must see to appreciate. I don't know how the others were. Human endeavors and preoccupations had no meaning whatsoever to them. Jolts of energy. Every human being does. Don Juan went on to explain that the old sorcerers were the only ones who accomplished this feat of energy shape transformation.
And I asked him whether in their new energetic shape those sorcerers were still men. In his teachings. Yet if you pressed me to tell in what way they were different. What else would they look like? But they were not quite like what you or I would expect.
I have met one. I would go in circles.
I asked him once if the assemblage point had anything to do with the physical body. These are usually unpredictable currents that happen randomly. But to make it a matter of merely behavior is misleading.
Does it hang outside? Or is it attached to the luminous ball? They also had a definite new appearance. The tip of the stem is the assemblage point. Since neither the sadness nor the euphoria has an explainable cause. If nothing else. I asked him what uniformity and cohesion were. He said that we automatically attain these two conditions of energy in the course of our rearing and that they are so taken for granted we do not realize their vital importance until we are faced with the possibility of perceiving worlds other than the world we know.
He did not want to elaborate any further at that time. He was of the opinion that. Uniformity and cohesion at a line level permitted those old sorcerers to perceive a homogeneous new world. His contention was that mankind perceives the world we know. And those stories portray them as being quite bizarre. And those sorcerers were no longer balls of energy but lines of energy that were trying to bend themselves into circles. They say that they were very likable but extremely scary.
Did they die? And the fact that man's energy holds itself together as a ball or an egg proves it has cohesion. And then the line cohesion set in and made it impossible for them to go back. At those moments. The scope of what those sorcerers were able to perceive and do as lines of energy was astronomically greater than what an average man or any average sorcerer can do or perceive. They were more like unknown creatures.
He believed that what really crystallized that line cohesion and prevented them from making the journey back was a matter of choice and greed. The old sorcerers' accomplishment is unparalleled. He explained that the human domain when one is an energy ball is whatever energy filaments pass through the space within the ball's boundaries.
What makes mankind homogeneous is the fact that we are all luminous balls. There are stories about their periodic appearances on the earth. He replied that at one point they could have. In my personal opinion. Freedom to retain my awareness and yet disappear into the vastness. He said that an example of a new uniformity and cohesion was the old sorcerers' energetic shape when it became a line: I want freedom. So they are alive and conscious to this day. But if I thought of a multitude of luminous balls.
Don Juan helped me to experience inexplicable things in the second attention by means of Bright strings of light shot out from everywhere. He said that the old sorcerers called the result of fixing the assemblage point on new positions the second attention and that they treated the second attention as an area of all-inclusive activity. When seers see the human energy shape. If there is another ball next to it. In the universe of energy. In a multitude of luminous balls.
I can make your assemblage point shift to another position more suitable to perceiving energy directly.
That was how they saw everything that can be seen by man. So in a multitude there could not possibly be any energy filaments outside any luminous ball. I thought that I must have fainted or that the blow had made me fall asleep. I could follow the idea of energy filaments inside the luminous ball and outside it.
I made giant efforts to understand the new model of energy configuration he was outlining for me. I reasoned. The idea of a multitude of luminous balls comes from your knowledge of human crowds. The old sorcerers were the consummate masters of that rearranging. And he proposed that I borrow his energy and use it to see.
Borrow your energy. When I recovered my breath. I was looking or I was dreaming I was looking at something literally beyond words. He remarked that I was not ready yet to comprehend any unusual perception I might have had. He pointed out that sorcerers really have two complete areas for their endeavors: But you don't yet have the discipline or the energy to rearrange your uniformity and cohesion.
On his insistence. To remember. Another monumental breakthrough that the old sorcerers claimed. I found it impossible to remember not only that I had entered into the second attention but that such a state existed at all. Most of the time it was like a strange dream.
It was not quite a pleasing state. He also assured me that sorcerers dedicate a lifetime to fulfilling this task of remembering. I realize that don Juan made me enter. What we learn remains with us for life. The old sorcerers saw that the greater the displacement.
Sorcerers have used this seeming peculiarity of memory and have turned remembering everything that happens to them in the second attention into one of the most difficult and complex traditional tasks of sorcery. Don Juan justified the indispensability of such a maneuver. In the second attention. It took a great deal of effort and time for me to understand what the second attention is.
Don Juan assured me not only that sorcerers have total and absolute recall but that they relive every experience they had in the second attention by this act of returning their assemblage point to each of those specific positions. I succeeded countless times in perceiving everything as precisely as I perceive in the daily world.
About this quality of faithfulness he said. He explained that with his blows he displaced my assemblage point. Don Juan said that this observation led them to devise extravagant techniques to force the displacement of the assemblage point. From my experiential position. This realization triggered another one: Sorcerers explain this seeming peculiarity of memory. My problem was my incapacity to make a bridge between my actions in the second attention and my awareness of the daily world.
Not so much because of its intricacy and complexity. In this fashion. One day. In more general terms. When explaining sorcery. Dreaming has to be performed with integrity and seriousness. For instance. But when you actually dream. One is to speak in metaphorical terms and talk about a world of magical dimensions. You don't jump from the classroom to the mountains. I expressed my feelings about the absurdity of the task. For example.
This control is no different from the control we have over any situation in our daily lives. Sorcerers are used to it and get it every time they want or need to. Don Juan described the dreaming attention as the control one acquires over one's dreams upon fixating the assemblage point on any new position to which it has been displaced during dreams.
The First Gate of Dreaming As a preamble to his first lesson in dreaming. In order to get used to it yourself. Don Juan told me that what he meant by his metaphorical description of the second attention as a progression was that. In my recollection of my experiences in the second attention. In other words. To set up dreaming means that you don't let the dream slip into something else. I have always preferred the latter.
The goal of the exercise was not finding a specific thing but engaging my dreaming attention. Only under these conditions can our dreams actually be turned into dreaming. I found out that we had a more extensive exchange. Not much more was said about this in the awareness of our daily world. The other is to explain their business in abstract terms proper to sorcery. There are no steps to follow.
We reach that gate the instant we become aware that we're falling asleep. The more we walked. I became absorbed in trying to read billboards and street signs. You're up against the first gate that must be opened if you are to dream. My mind was curious. Like any rational man. After months of unsuccessful efforts. It was such a vivid dream. You'll have to experience it to know what I mean. I could have sworn that his touch hypnotized me. I or anyone else would sound idiotic trying to explain it.
Don't let anyone notice you. Sorcerers believe that if one would intend that statement for the energy body. Don Juan nudged me gently. I gave up and complained to don Juan again about the absurdity of such a task. At that time.
The statement seems nonsensical because you are not putting it in the proper context. Are there any steps to follow? The people seemed to be northern Europeans. My first attempts at looking for my hands in my dreams were a fiasco. This won't last long. It definitely was not any English. It was a block-long walk. Now you know that it is an obstacle and that you have to overcome it. I believed he had instantaneously put me to sleep.
I've just lent you my energy so you would reach your energy body. Someday it'll be your turn to explain. For that you need energy.
The trick is to reach the energy body. Bear that in mind when you hear what I have to say next: One just intends to become aware of falling asleep. A hypnotic state? Doing this will automatically put you in the position to be aware that you are falling asleep. I saw that the trees on the street had been carefully trimmed.
The next instant. I heard him talk. Each tree had a big square space for watering. They were short trees with hard-looking. He assured I tried desperately to watch the people who milled around us. A certainty hit me like a blow: In this case. I was about to realize what was different about those people. Intending is much simpler and. It requires imagination. Let your energy body do it.
Is that it? This time I focused it for you on reaching your energy body. If you were. You feel you are a dreamer with all the cells of your body. I helped you reach the second attention so that you would understand intending as a subject not for your reason but for your energy body.
I was back where I had started from: In one instant a circle of hard blue and brown eyes had formed around us. I knew that I had been on the verge of finding something transcendental about dreaming and about the people I had seen.
There were no weeds or trash in those spaces. When we got to an intersection and stopped walking. To intend is to wish without wishing. I was lying on a straw mat. An unusual itching on my solar plexus kept my breaths short and painful. I turned to face don Juan. How can you convince yourself you are a dreamer when you know you are not?
Intending is both: I had the clearest understanding that I was not in this world. I noticed that there were no cars. The moment I focused my eyes on the curb. As I stared at them. Don't try to force yourself to be aware of falling asleep.
My feet began to hurt. The other part of the task. I dreamt I was looking at my hands. It all began as an ordinary. When I made your This feeling became so strong that it kept on waking me up at all hours of the night. I saw everything I could have seen had I been a tourist walking through the streets of a city.
I had done nothing special besides my constant earnest determination to be aware that I was falling asleep and to find my hands. The rest of my dreams' content. What you've done is equivalent to bringing a wall down just to squash a mosquito sitting on it.
It went on like this for months. It proved to be a unique dream that could not be repeated. Weeks went by. I could almost sustain the view of anything I focused my attention on. Then the light in the dream changed. They were hands that only seemed to belong to me. After telling me this. I realistically walked in that town until I was completely exhausted.
I could feel that things were absurdly hard. The shock was enough to wake me up. I indeed found hands in my dreams. Not that the town I was dreaming about looked at all like my hometown. I dreamt I was visiting my hometown. After a great effort.
Images became sharper. If they focus their dreaming attention on something specific. When I told don Juan about my futile attempts to cross the first gate of dreaming. And there was no difference whatsoever between that dream walk and any walk I had actually taken on the streets of a city I visited for the first time. But apparently you're trying to repeat something you did before.
I returned home. I began to notice. The street where I was walking became noticeably more real than a moment before. Our dreaming attention must be systematically exercised. First you must focus your gaze on anything of your choice as the starting point. The emphasis he put on those statements was so pronounced that I had to ask him to explain them. Dreaming is a process of awakening. And I am insisting on giving you another version: To be able to find them and follow them is sorcery.
Our awareness goes through that hatch into other realms. If we follow them to their source. During another discussion. No false movement can be afforded. You were dreaming. The second attention is the condition of being aware of total worlds. He hesitated for a moment before answering. He said that among the multitude of items in our dreams. He said. I forced it to shift. Through that hatch. Then He went back to discussing my dreaming experience and said that.
They are bursts of foreign energy that come into our dreams. Then the mind or the brain or whatever takes those currents of energy and turns them into parts of our dreams. At one moment.
Four items will suffice. It has its own sphere. Its perception. Once we reach the gate. And dreaming is the art of tempering the energy body. Every time you isolate it and look at it. You'll find out. The energy body deals with energy in terms of energy. Or it feels it directly as a jolt or as a sensation that can even be pain. A ghostlike configuration made of pure energy. The energy body using energy as a boost.
Since it's pure energy. Remember that if you glance only briefly. He smiled at me. But he assured me he was being on the level. It means that the energy body sees energy directly as a light or as a vibrating current of sorts or as a disturbance.
Then go back to the item you first looked at. Later on. Focus your gaze on as many things as you can. In order to offset the evanescent quality of dreams. The difference is that the energy body has only appearance but no mass. There are three ways in which it deals with energy in dreaming: All it has to do is isolate them. They intelligently redeploy their energy by cutting down anything they consider superfluous in their lives. He claimed that everything new in our lives. He repeated various times.
But it isn't desirable for dreamers to indulge in searching for scouts. I gained the capability of being thoroughly aware that I was falling asleep as well as the capability of stopping in a dream to examine at will anything that was part of that dream's content. I was reluctant to tell you about it. At the time. They recognize energy and go for it. These sorcerers' choices are designed to revamp our lives by altering our basic reactions about being alive. Sorcerers get that energy by redeploying.
When I urged don Juan to explain it more clearly. He reiterated that reaching. I found that on one level it was all incomprehensible to me.
He carefully outlined for me an entire block of practices. A wild statement? Not really. But to maintain that gain is predicated on energy alone. To experience this was for me no less than miraculous.
They call this method the sorcerers' way. In essence. That quantity is all the energy we have. Through molding this awareness. As I continued my dreaming practices. He pointed out that repetition is the way our progenitors socialized us to function in the daily world. Don Juan explained that sorcerers have a scrounging method.
The other is by molding our particular life situation to fit our own configurations. He was right in saying that the dreaming attention comes into play when it is called. It is rather an awakening. Its coming into play is not really a process. Don Juan stated that as we tighten the control over our dreams.
Something dormant becomes suddenly functional. Now that you've overcome it. I commented that the difficult part is to break the initial barrier that prevents us from bringing dreams to our conscious attention. I repeatedly experienced sensations that I deemed of great importance. Since we have. I realized. I would definitely discourage such a behavior. As I gained proficiency in setting up dreaming.
Contrary to other of his works, this one he wrote many years after the events he Carlos Castaneda is certainly considered required reading for any person even slightly interested in the occult, ancient practices, magic, dreams, altered states of existence or completely different planes thereof. Contrary to other of his works, this one he wrote many years after the events he describes therein had come to pass: Only almost 20 years after his apprenticeship into understanding and navigating the world of dreams by Don Juan was he able to bring what he learned to the forefront of his consciousness and then put it on paper.
I liked The Art of Dreaming, especially the first half. I read that when I was in the coach from Athens to Sofia and it helped make the journey much more dreamy; it made me feel that it was a passage in more ways than one: I came into The Art of Dreaming expecting something practical -Castaneda's "Lucid Dreaming for Dummies" handbook- especially after learning that it was he who popularised the technique of looking at your hands as a reality check, something I picked up and have used successfully numerous times.
The beginning of the book was entirely like that: That link is a good summary of the book's most interesting "academic" part. But, like Castaneda himself in the book, or at least the person Castaneda wrote himself to be, I too need my objectivity, for that's the way I was taught to perceive the world, as Don Juan would have said. Therefore, as the book became weirder and weirder and Castaneda strayed farther and farther away from what my dream reality -even in my most successful endeavours in lucidity- has looked like and started going into the dimension of inorganic beings, alien energy scouts and the like, I started losing my point of reference and ultimately my interest.
By the end of the book his narrative had become so convoluted that I couldn't figure out any part of what was happening - perhaps an apt representation of Castaneda's own recollection of his strange experiences. What however made things more interesting for me was this article I came across shortly before finishing the book which uncovers Castaneda as a complete fraud.
Apparently after the success of his first few books, which, it is implied, were also figments of his imagination, Castaneda became a sort of cult-leader figure; when he was exposed he disappeared from public view by secluding himself in a villa together with three of his female companion sorcerers. The story is complicated in many levels; I can only say that the narrative of his books and what happened in real life is difficult to tell apart.
In fact I'm sure that even if Castaneda proved to be okay after all a possibility we still can't discount since, from where I'm standing, the revelation of the hoax can be a hoax as much as the supposed hoax itself the automatic reaction from a scientific and rationalist status quo seeking to disprove just to confirm its dominance would have been no different.
At this point several possibilities and parallel narratives have arisen: All these interpretations exist simultaneously in a sort of entangled limbo: Additionally, on a meta level each one of these stories has something different to tell: In another interpretation, you could see how these are all just different layers of meaning, just like Don Juan described reality as an onion consisting of layers of universes. The hoax coexists with the book's story and it's only a matter of intent, a matter of the position of your assemblage point what it is that you'll end up keeping from the whole affair.
Even if Castaneda hallucinated everything he ever wrote about, this book has made me think in ways I'm sure were not intentional but have arisen anyway as part of the complexity of being a thinking but chiefly intuitive feeling person alive in If this book is a valuable collection of techniques that -as far as I can tell- really work and a story of them being put to use, where does the fiction begin? Apr 04, Nayiry Marcossyan rated it it was amazing.
I love it.. I absolutely loved it, the best book i read for a while, my first book for carlos, and definitely i will read his other books, this book was an eye opener for me and proved itself very helpful, explained many matters in plain ways, a humble extremely beneficial book Mar 27, Sufiyo Rubyn rated it really liked it. So deep Truly a work of art in terms of consciousness, if not with his literal writing style which can be somewhat tiresome at times.
But, it's true - you'll never look at the world or dreaming the same again after reading this! Dec 20, John Davis rated it liked it Shelves: A few pieces of quality lucid dreaming advice embedded in a towering monument to human suggestibility.
Moderately entertaining, but not very efficient. Reading Castaneda and his experiences under the tutelage of the alleged Yaqui sorcerer don Juan Matus is an inspiring experience. Words such as awareness, attention and intent cease to have abstract meanings to become achievable destinations. The art of dreaming is one of the key tools to realise those purposes and the thematic centre of this unique and mysterious book.
Livre pas fini. Dec 05, Scott Forbes rated it it was amazing. This is one of the seminal works of anthropologist and researched on shamanic lore, Carlos Castaneda. If it doesn't knock some sense into you, the dreams you can see, will. If you can't read this, please first understand that you're missing the point of reading, which is partly vicarious experience. If you can't prepare in book form, you're going to have to go the hard way.
And nobody really should go the hard way down that dream corridor. You'll love this book if you think that there is more to This is one of the seminal works of anthropologist and researched on shamanic lore, Carlos Castaneda. You'll love this book if you think that there is more to dreams than mere psychology, that science can include this topic far beyond what is considered the survey of biological life that is hard science, that people can learn in dreams things that are secreted away from them, but that they can recover in later life.
If this is a work of fiction, as many of the critics claim and I believe they are probably right, although it could have been partially based on, or inspired by, real people and events , I would say Castaneda has one hell of spectacular imagination. The chapter in which he meets the Death Defier is absolutely t If this is a work of fiction, as many of the critics claim and I believe they are probably right, although it could have been partially based on, or inspired by, real people and events , I would say Castaneda has one hell of spectacular imagination.
The chapter in which he meets the Death Defier is absolutely thrilling to the end. May 08, John Elbare rated it really liked it.
This is a fascinating book in a series of several books by Carlos Casteneda about his training from Don Juan, a Yaqui native American sorcerer. I read it once before, several years ago, and it is even better on second reading. Some critics have claimed that Casteneda made all of this up -- if so, it is still a remarkable story. This book covers Carlos' mastery of lucid dreaming and the other worlds that are accessible through dreaming.
Apr 05, Carmilla Voiez rated it really liked it Shelves: It's fascinating. Is perception reality? Is magick simply madness? Is there a point in space, time or perception we can access that allows us not only to change our own reality but that of other people?
The sceptic in me wanted to dismiss it as nonsense and my spiritual side wanted to full embrace everything and try to replicate the dreaming. In the end I just filed it away for future use, however, it made me wonder whether his description of the assemblage point and how shifts in it alter the wa It's fascinating. In the end I just filed it away for future use, however, it made me wonder whether his description of the assemblage point and how shifts in it alter the way we perceive our surroundings might have any practical application for understanding why I and the majority of people neurotypicals for want of a better word - I like to think of them as those who have been properly socialised to fit into the tiny space allowed to them in society see the world around us very differently.
I call this a social base because a serious and fierce effort is put out by everybody to guide us to perceive the world the way we do. There is another mode, the one I am familiarizing you with: One, that the assemblage points of human beings can dislodge themselves from the spot where they are usually located. And, two, that when the assemblage point is on its habitual position, perception and awareness seem to be normal, judging by the normal behavior of the subjects being observed.
But when their assemblage points and surrounding glowing spheres are on a different position than the habitual one, their unusual behavior seems to be the proof that their awareness is different, that they are perceiving in an unfamiliar manner. Nov 10, Mohammad beheshti rated it it was amazing. Jul 08, Amber rated it liked it. Es el primer libro que leo de este autor.
Oct 11, Justin rated it it was amazing Shelves: My favorite Castaneda book. I now have a fantasy that I can use some of the techniques to sleep better, we'll see. At the very least this is an enjoyable read.